Archive for the ‘Magazine Features’ Category

Power of the Animals

Friday, August 7th, 2009

Inside Kung Fu August 2006

By Quinn Early

People are always looking for ways to improve health and get in better shape. They need to look no further than martial arts for the answer. Looking better and feeling stronger and healthier are the major byproducts of adopting a martial arts discipline. There are as many debates about the best way to build strength and increase fitness as there are styles available to the practitioner.

I began my martial arts training in 1990 when I was drafted by the San Diego Chargers. Shortly after my second season in the NFL, I began looking for ways to improve my football skills and overall health. Since I was a huge Bruce Lee fan growing up, I thought a great way to get in shape was learning kung-fu. After all, despite his smallish stature, Lee was a physical marvel. If I could incorporate some of the training techniques that made him pound-for-pound the fastest and most powerful martial artists of his generation, those skills might help me become a better, more effective football player.

I sought the help of a kung-fu instructor in my area and settled on the fantastic, diverse world of Shaolin Five Animal kung-fu, which incorporates the best of both the internal and external disciplines of Chinese martial arts.

HEALTH BENEFITS

Shaolin five animal kung-fu teaches many fighting techniques, but more importantly it gives the martial artists a great foundation through stance training, breathing applications and a mixture of internal and external energy training. All these attributes help build strength, power and overall health.

Many factors make the five animal form optimal for health and martial arts cultivation: the practitioner will develop physical strength, libido, chi development, bone development and internal spirit. Since these are a mixture of both internal and external training techniques, it is said that when these five things are combined the result is a far superior martial artist.

HISTORY

Chan (Zen) Buddhism was introduced to China around A.D. 550. During the North-South dynasty, a monk named Bodhidharma traveled from India to Songshan Mountain in the Henan province, the site of the Shaolin Temple. There he meditated for nine years. At the age of 76, he began teaching healing arts to the monks of the temple. Since the monks spent much of their time in meditation, they were in poor physical condition. Bodhidharma gave them a set of exercises that would develop the physical strength necessary to maintain the monastery and protect them in the event of an attack. He gave them three exercises: Lohan Shi Ba (18 hands of arhats); yi ji jing (book of changing tendons); and xi shui jing (book of washing bone morrow). At the end of the Ming dynasty (1368-1644), Zhue Yuen, Li Sou and Bai Yu Feng developed the five animal form, which helped to complete the new Shaolin system and had a major impact on the state of Shaolin Kung-Fu.

THE FIVE ANIMALS

The shaolin five animals consist of dragon, tiger, snake, crane and leopard. Each animal has characteristics that provide the practitioner with an array of offensive and defensive techniques. Only through a mastery of each of these animals can one hope to become a complete kung-fu stylist.

DRAGON (LONG XING)

The Chinese dragon represents internal strength. Contrary to popular belief, there is no relation to the Western dinosaur or fire-breathing dragon. Instead, according to Buddhist writings, the Chinese dragon is a mystical creature that can show itself to those he wants, especially to those who have reached the highest levels of enlightenment. Chinese dragons also are said to live in oceans or large bodies of water and are believed to produce rain. They can make themselves large or small, and are sometimes said to be visible within the clouds if you look closely.

The dragon form combines internal and external energy to produce awesome and devastating strikes. Dragon techniques feature circular movements that can penetrate with sudden explosiveness. Though the claw is the primary hand technique used within the dragon form, there are also various palm and fist attacks that add to the dragon form’s effectiveness. However, using the waist in a whipping action to generate power is essential to the development of proper dragon energy. The dragon form uses internal conditioning through proper breathing techniques to develop qi (internal energy). This is done by using the lower body to pull in air with relaxed breaths. The breathing develops flexibility, strength and power.

TIGER (HU XING)

In China, the tiger is said to be the king of all land beasts. The Shaolin Monks adopted the spirit of the tiger for its courage, strength and power. Because its energy is external in nature, the energy of the tiger is different from the other animals in the form. The tiger’s strength comes from hard-pressing attacks. Developing a strong back and neck is essential for strong stances. The primary technique in the tiger form is the tiger claw, which targets the opponent’s face, neck, groin, arms and wrist. The tiger form also utilizes palm strikes, fists and special kicking techniques, such as the tiger tail kick (fu mei geuk). Like the dragon, proper breathing is important for developing power and force. The practitioner produces certain sounds to expel carbon dioxide and replace it with the oxygen necessary to deliver the proper energy within his strikes.

SNAKE (SHE XING)

The snake form is important for developing qi within the five animal form. Because the snake is a calm animal, it has more relaxed energy. When the practitioner cultivates this energy, the combination of relaxation is mixed with quick, piercing strikes. There are no closed fists within the snake form. Instead, the hands are open and used for penetrating chops and finger strikes. The snake’s spirit is calm and deliberate and once the practitioner develops the proper energy, his strikes are focused and lightning-fast.

CRANE (HE XING)

The crane is known for its longevity. It is believed that the crane lives such a long life because its body contains a large amount of jing, or essential energy. A calm, meditative animal, the crane can stand on one leg for hours, without shifting its weight or growing restless. The crane form helps the practitioner hold his internal energy, which develops strength while building bones and muscles.

Like the dragon, crane techniques are circular in nature. However, the crane is always soft and relaxed, but strikes with penetrating speed and force. The crane form is known for using the “beak” to strike to targets such as the temple. It is also known for its long, extended strikes that mimic outstretched wings. The crane form allows the practitioner to deliver flowing, relaxed power as well as sudden and focused attacks.

LEOPARD (BAO XING)

In China, the leopard’s fierce and ferocious power yields only to that of the tiger. Though the leopard is smaller animal, it is believed to be, pound for pound, stronger. The leopard relies on a lightning-fast, powerful force that is produced from relaxed, whip-like techniques. It is important for the practitioner to develop a flexible waist, which allows him to develop quick footwork and explosive strikes.

Since the leopard form focuses on quick movements, there is little internal energy training. But the internal strengths of the dragon and snake blended with the speed and force of the leopard make a devastating combination. The main technique used in the leopard form is a leopard fist that penetrates vital areas of the opponent’s body, such as the throat, solar plexus and groin. There are also elbow and forearm techniques. The leopard’s footwork is quick and short, which helps the practitioner develop strong stable stances.

3 STAGES OF TRAINING

Once the five animal practitioner has mastered the pattern within the form, he practices the three states of training. In the first stage, the practitioner performs the whole form slowly, mimicking tai chi or moving meditation. The slow and soft movements massage the organs and lead to health and longevity. The martial artist also learns the essence of each animal by moving slowly and methodically. Breathing is deep and from the abdomen to improve the circulatory system and build the practitioner’s qi.

The second stage of training is practiced with external power. The emphasis is on conditioning the bones, tendons and muscles, while developing speed and power. This type of training helps the practitioner build strong stances while increasing stamina and external strength. The five animal practitioner puts all his skills together in the third stage of training. The emphasis is on the spirit and strengths of each animal – both internal and external energy are intertwined to give each animal life within the form.

The snake and crane forms are preformed with relaxation and soft, or internal, energy until explosive power is released at the moment of impact. The tiger and leopard produce devastating, lethal attacks that are performed with quick and powerful, yet relaxed, external energy. The dragon combines both internal and external movements to deliver powerful techniques.

Five animal training not only provides the martial artist with the strength and power for devastating fighting techniques, but also teaches him to remain calm and relaxed in even the most dangerous self-defense situations.

I have truly benefited from the health aspects I received from studying five animal kung-fu. My kung-fu training contributed greatly to my success and longevity in the NFL and even though I am now retired, five animal remains an integral part of my physical and emotional well-being.

For a better understanding of the Shaolin Five Animal Form, read “Shaolin Five Animal Kung Fu” by Grandmaster Doc Fai Wong and Jane Hallander. For more information visit the Plumblossom International Federation at: plumblossom.net

Quinn Early is an instructor at White Dragon Martial Arts in San Diego County: whitedragonmartialarts.com

Soft on the Streets

Friday, August 7th, 2009

Soft on the Streets

Inside Kung Fu Magazine February 2004

by Adrian Corrales

Tai Chi Push Hands for Self Defense

It seems that everyone has a different idea about what will work in a fight. Ask a thousand martial artists what kind of training is best for self-defense and you are likely to get a thousand different answers. Some say that punching and kicking is the way to go. Others claim that training on the ground is more practical. By dealing with what happens between kickboxing and grappling, tai chi push hands training can help prepare you for whatever comes your way.

No-holds-barred tournaments have shown time and again that it is very difficult to stop an opponent who is determined to take you down. Once things end up on the ground, much of a striker’s power is neutralized. The argument against grappling for self-defense is that it is effective only because no-hold-barred fights occur in a controlled environment. Dropping to the ground is harder to do on the streets when fights aren’t always limited to two people and you don’t know what kind of weapon your opponent might have hidden in his back pocket.

Charging Opponent

Tai chi offers an excellent supplement to any fighter’s routine. A skilled push hands player is an expert at staying on his feet. At the same time, he is capable of controlling an opponent with the expertise of a grappling master.

Sifu Ming Lau, chief instructor of the White Dragon Martial Arts School in Mira Mesa, Calif., is a student of sifu Don Tittle in grandmaster Doc-Fai Wong’s Plum Blossom Federation. A veteran of numerous push hands competitions, Lau maintains that push hands is an effective tool for self-defense.

“Push hands is a great self-defense exercise because it forces you to adapt to oncoming force that is constantly changing,” says Lau. He adds this adaptability is a valuable skill for anyone that wants to learn to fight.

Push hands teaches practitioners to either neutralize or redirect the force. Neutralizing works by applying pressure to an opponent to negate his incoming force. For example, let’s say a force is being applied to your left shoulder. By taking your right hand and placing it on the opponent’s left shoulder, you can easily turn your body and direct his energy back toward him. The force has been neutralized because he cannot push any further without disrupting his own balance. Redirection involves changing the course of an opponent’s attack. Small amounts of pressure are applied to the attacker’s arm or torso so that his force misses your center of balance. Advanced tai chi practitioners can accomplish the same thing merely by turning the body in response to an attacker’s force. This leaves the arms free to counter.

(more…)

The Chinese Cane and Self Defense

Sunday, July 19th, 2009

The Dreaded Chinese Cane

Karate Kung Fu Illustrated November 1987

by Sifu Jane Hallander

In ancient China soldiers and professional martial artists fought their battles with warfare weapons, such as the broadsword and spear.  However, the average man was forced to use whatever he had available when the need arose to defend himself. His weapon could even be as simple as a cane.

Today martial arts instructors teach traditional warrior’s weapons for a far different purpose.  Students use them to improve their balance and coordination. However, the cane is still being taught primarily for self-defense, since many people carry one.

During World War II the cane became a popular self-defense weapon in China.  Canes gained popularity with elderly people since they require little strength and only a few techniques to make them an effective self-defense weapon.

Three techniques work especially well.  The first is a block toward the outside with the weapon.  This opens up the attacker’s body to the canes counter attack.

The second cane defense utilized the same outward block, however, a cane strike is executed straight down on the assailant’s head.

The third tactic requires a hooked cane.  In this technique, the attack is blocked across the cane wielder’s body with the hooked end and pointed toward the assailant.  By blocking in this manner, the defender is exposing the attackers arm or throat to a grab made with the canes hooked end.

Overhead blocks made by bracing the midsection of the cane with both hands provide instant self-defense against an overhead attack.  This block can easily be followed with a low hook to the assailant’s leg or a poke to the body.  Pressure points also play a valuable role in cane defense.  People who know these pressure points can become dangerous with their canes.  When pressure is places on the correct point, pain, numbness or unconsciousness can result.  The use of pressure points requires no strength, only knowledge of their locations and the correct angle at which to apply pressure.

There is one important requirement for cane self defense.  It must be quick.  If it isn’t, the attacker can easily catch the cane and disarm the defender.  Further more, sheer strength isn’t required to make these techniques work.  Rather quick pulling or twisting power is what counts.

There is no special footwork needed to use cane either.  Almost any kind will work.  More importantly, if defenders have enough experience and sensitivity they will make the first move.  Not surprisingly, the cane is a traditional kung fu weapon.  It is extremely useful because it is usually available when the need for self defense arises.

To learn more about Kung Fu and the Chinese Cane in San Diego County visit:  whitedragonmartialarts.com